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J'adoube

by Sunday Inn

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1.
j'adoube 01:42
2.
LOVE DIED BUT I SURVIVED Even if I could only whisper I may keep a word no longer outside, but still internal. Have I untold many things before I could say quietly, quietly, quietly. If you’d like to know. And if you’d come to me. If you’d come to me. I could hold much longer without a single breath. Even if I could only whisper I may keep a word no longer outside, but still internal. Have I untold many things before I could say quietly, quietly, quietly. If you’d like to know. And if you’d come to me. If you’d come to me. I could hold much longer without a single breath. If you’d come to me. Hear what I say. If you’d come to me.
3.
4.
shall we 03:37
SHALL WE It’s our time. Pick me up to nowhere. We can gain so much substance, so much joy. I can move right back to the start but where then shall I take my heart? It’s our time. Lift me up to somewhere. We can lose so much insight, so much doubt. I can move right back to the start but where then shall I take my heart? Are you on the run with me? I can move right back to the start but where then shall I take my heart?
5.
I dare you 04:21
I DARE YOU Remember how hard it was to open up and now it’s so quick to snap back down. And you might not even, now you might not even wonder, until you smell the sound of being alone. And what causes so much more effort, is to try to keep you in my heart. After I’ve walked alone, after I’ve crawled alone, after I ran alone, hey nothing keeps me down. This causes no trouble and I can shout so loud: Am I meant to be you? Am I meant to be alone? Consider how cruel it was to hand ourselves over to what we are right now. After I’ve walked alone, after I’ve crawled alone, after I ran alone, hey nothing keeps me down. This causes no trouble and I can shout so loud: Am I meant to be you? Am I meant to be alone? Looks just like I could see it again.
6.
malady 03:31
MALADY He blushed and didn’t try. The swing door opens both sides. Silence has no style. The swing door opens both sides. See it all alone, I can separate good from bad all on my own. See it now alone, I can separate good from bad all on my own. I rushed and realised: Behind my back is space, wide. Silence has no style. Behind my back is space, wide. I can separate on my own.
7.
desert you 04:14
DESERT YOU Hey, I meant to say, it’s useless of me to call you up and hope you’d listen for a while. I have no clue, what is up with you. But I heard you have a girl, a kid, and everything else too. And I am sure, if I could get through to you. You’d show me you’re so much better off without me. In my memory, of how I used to see circumstances in a bleak arrangement. You were not informed, of how I was losing sight, and harmed the weak, the good and the ones outside.
8.
AFTER THE RUSH Sparkling plastic snow in march blow fire outside. TV makes me get more quiet. I should take a stand just like everyone, but my life’s asleep and I don’t know why. No one will take me home, picks up my phone, turns the lights on. With my mellow sounds I’m underground. Looking closely at the rocks I’ve found. I should shake it off like everyone, but I’m backing up and I don’t know why. No one will take me home, picks up my phone, turns the lights on. And whispers for me.
9.
BERLIN, BERLIN (it went off predictable) Uncovered a note too small to see, discovered what I shouldn’t have been. Regardless of what they said before: Some things happen to me only. I run outside, catch my inside and tear it away from you. I see the towers in the nightlight and take the left-over-life. For I cry out for you. Take me back home again. Take me home. Take me back in. Berlin, Berlin. Within a second it gets clean, unfolding what I shouldn‘t have been. Regardless of what they said before: Some things happen to me only. I run outside, catch my inside and tear it away from you. I see the towers in the nightlight and take the left-over-life. So I cry out for you. Take me back home again. Take me home. Take me back in. Berlin, Berlin.
10.
WATCH ME, WATCH YOU Tonight I swear I will go down. Much further than I have been down. Tomorrow is here but you’re not there to watch me watch you. What do I do, What do I do When love grows up? What do I do What do I do When love grows up? Tonight I swear I will go down. Much further than I have been down. Tomorrow is here but you’re not there to watch me watch you. What do I do, What do I do When love grows up? What do I do What do I do When love grows up?
11.
SPEAK UP, I CAN'T HEAR YOU Hide your phone, your TV, throw your clothes out to me. That’s how you make it better. And after all I can’t recall, who said what to whom and when. I try to sort things out but I know, I can’t win. Print your name, read out loud. Use big screen, there’s no doubt. That’s how you make it better. And after all I can’t recall, who said what to whom and when. I try to sort things out but I know, I can’t win.
12.
unravel 04:33
UNRAVEL I can count seven steps till here. Reached the now, admit there’s nothing here. They squeezed me out, they took my words for a walk. They pushed me out, they held my words in the dark. What do I do here? It’s time to say good night. It’s time to leave you all behind. I can walk seven steps from here. You will see how fast there’s nothing here. It will turn out you won’t notice a thing. And so I’ll doubt, you’ll wonder who I’ve been. What do I do here? It’s time to say good night. It’s time to leave you all behind.

about

recorded by Jörg Seemann and Sunday Inn @ Noiseless Studios
www.noiseless-studio.de

credits

released May 20, 2005

thanks to all our friends

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all rights reserved

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about

Sunday Inn Berlin, Germany

SUNDAY INN is an Indierock/Emo band from Berlin, that formed in 1996.

SUNDAY INN means beautiful, catchy, guitar based rock-music with Catherine’s brilliant voice, that’s shining on top of the songs.

*********
Tasteful and elegant guitar pop for a new generation in rock music.
„So if you’re a fan of emo“, you’ll want to check out SUNDAY INN.
(Flex Your Head/Canada)
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